Piano Concerto No.3
2019
for solo piano
~3’
Piano Concerto No.3 comes from reworking the second concerto extensively to the point of developing an entirely new piece. This composition has no explicit intention other than trying to wring all the notes out of the instrument while requiring the performer to dash to the end, hopping towards a halt before recalling the opening theme.
Piano Concerto No.1
2018
for solo piano
~5’
One of the first works composed in this group, this piece holds a special place as a study of composition in general and an exploration of possibilities. This piece provided a new insight into crafting with a medium where some tools are more theoretical than physically available.
Ghost themes
2021
for two pianos
~6’
From looking at this piece, it appears to be able to be played by only one piano, without necessity for two. However, it is the harmonic frequencies abounding when played together that provide its ethereal nature. With both pianos, the full resonance of each instrument work symbiotically to create sympathetic tones, layering eerie timbres over the conventional notes.
Untitled No.2
2022
~3’
for solo piano
This composition remains untitled as an unfinished exploration of grief through song. Without a clear harmonic direction, this piece teeters between a melancholic taste and vague understanding, leaving the final measures as open-ended questions without resolution.